A gouache study of a figure on a divan, set against three broad planes of color: ochre cushion, deep blue wall, brown floor. The interior is constructed almost entirely through flat color, with minimal linear drawing.
The body is built from broad strokes of pink and ochre, with almost no linear contour. The form holds together by color contrast alone.
The painted white frame at the right edge — window, mirror, or doorway — is left intentionally ambiguous. A second "opening" within the picture that resists being read.
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